https://chambl91.msu.domains/CriticalFanscape/files/original/10fdbe662f4774c6e5ba05c309750def.tiff b3d37da755ae3969684f6ed5fe348e96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amazing Heroes Subject The topic of the resource Comics Periodical Description An account of the resource A digital project from Fall 2018 ENG 492H course. Creator An entity primarily responsible for making the resource Students from ENG 492H Source A related resource from which the described resource is derived MSU Library Special Collections Publisher An entity responsible for making the resource available Julian C. Chambliss Date A point or period of time associated with an event in the lifecycle of the resource Fall 2018 Rights Information about rights held in and over the resource Some rights apply Format The file format, physical medium, or dimensions of the resource Digital Files Language A language of the resource English Type The nature or genre of the resource Digital files Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1981-1992 Contributor An entity responsible for making contributions to the resource Students from ENG 492H Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Amazing Heroes Issue # 7 Representative Image Subject The topic of the resource comic books, strips Superheroes Women Superheroes Costume Creator An entity primarily responsible for making the resource Editor: Kim Thompson Art Director: Peppy White Assistant Editor: J. Collier Contributing Writers: Dwight R. Decker, Jim Korkis, Rich Morrissey, Gene Reed, David Singer Contributing Artists: Bill Anderson, Willie Blyberg, Rudi Franke, Doug Hazelwood, Mark Helke, Bert Hernandez, Jaime Hernandez, Gary Kwapisz, Mark Lamport, Kevin Nowlan, Mike O'Neal Editor Emeritus: J. Michael Catron Published by: REdbeard, Inc. Advertising: J. Michael Catron Source A related resource from which the described resource is derived MSU Special Collection Comic Art, PN6725.A47 Publisher An entity responsible for making the resource available Redbeard, Inc. Date A point or period of time associated with an event in the lifecycle of the resource 1981-12 Contributor An entity responsible for making contributions to the resource Hannah Boyd Rights Information about rights held in and over the resource Rights Restrictions Apply Format The file format, physical medium, or dimensions of the resource 10 and 1/4 inches by 6 and 5/8 inches Language A language of the resource English Type The nature or genre of the resource Periodical Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1981-1992 Relation A related resource Cover Page: http://chambl91.msu.domains/CriticalFanscape/items/show/14 Table of Contents: http://chambl91.msu.domains/CriticalFanscape/items/show/34 Description An account of the resource This is a scan from page 35 in Issue #7 of Amazing Superheroes. It is the beginning of one of the main articles in this periodical. The top half of the page has in large letters “The History of the T.H.U.N.D.E.R. Agents”. In the top left of the title, there is a small figure of a man who appears to be falling over the title letters. In smaller letters below the title is the credit to the author, “David Singer”. The middle section of the page is dedicated to the actual article itself, starting off with the header “The Coming of T.H.U.N.D.E.R.”. The bottom section of the page is dedicated to 3 comic book panels, which can be assumed to be from a T.H.U.N.D.E.R. Agents comic book. The comic strips appear to be depicting the pieces of a costume, as it describes an “electron molecular intensifier belt”, a “light polarizing” robe, and a “cybernetic” helmet, each item being given their own column. Each piece of the apparent costume appears to have a circle within a circle, which could possibly be an identifier for the character. This page, like all the other internal pages, is in black and white.  On the bottom is the date of the release of the periodical, which is December 1981. This image is a good representation of what is important in the overall periodical because it shows one of the main things it aims to discuss, that being the T.H.U.N.D.E.R. Agents. This comic book series is interesting in that it explores several ideas that were very prevalent in the 1980s. One of the most important historical narratives was the technological arms race America had been symbolically fighting with Russia. Both were fighting to see who would be the one to explore space first, which would somehow result in the crowning of one nation superior over the other. This technological focus would ultimately lead to a stress of technology in the arts as well. Consider the “electron molecular intensifier belt”, which clearly shows how technology was used to mix science fiction with superheroes. Another important historical concept of the time was the idea of representation of other countries and peoples. This is clearly also shown in the T.H.U.N.D.E.R. Agents, as they were from all over and established and organized by the United Nations. The 1980s saw a time in history that called for unity amongst nations— the cold war was slowing down and the general sentiment of peace was felt throughout the nation. These agents were interesting also in the fact that they did not have superpowers. Other than being skilled in certain areas, these agents were like everyone else. This sentiment of simple humanity was also due to the times, as the U.S. strived to remain focused on humanity in the face of growing change. While in the past, superpowers were used to advance in front of technology, as seen in Superman, there was a shift to simplify things and make the heroes abilities more human. In a sense, heroes were seen as agents that used technological tools for their betterment, as opposed to being in opposition with them. In that way, science fiction was used to contextualize America’s relationship with technology as they grew to understand what was possible. 
 Amazing Heroes Costumes David Singer T.H.U.N.D.E.R Agents Technology in Comics